8/8/2023 0 Comments Eary buster keaton movies“In her brightly written and incredibly well-researched book, Dana Stevens celebrates the enduring filmic presence of Buster Keaton-"The Great Stone Face"-even while transforming him into a guidepost and compass from which to survey the spectacular rise of American popular culture in the modern era.Ĭamera Man offers a unique kaleidoscope of cultural history, film criticism, and fascinating stories and anecdotes, filtered through Stevens’ distinctly modern sensibility and held together, in the end, by the slight but mesmerizing figure of Keaton himself RACHEL SYME, staff writer, The New Yorker Stevens has managed the rare feat - conjuring a life in all its specific detail while placing it in a modern context so that it becomes newly vital. "This book is as dazzling as a silent movie flickering before you in a dark room. MARK HARRIS, author of Mike Nichols: A Life, Five Came Back and Pictures at a Revolution This book is an exhilarating new way to view the man, his life, his art, and his genius.” “In this innovative, exciting combo of biography, history, essay, and acute cultural analysis, Dana Stevens does something I would have thought impossible-she tells the story of Buster Keaton’s life as if it were a Buster Keaton movie. Far more than a biography or a work of film history, Camera Man is a wide-ranging meditation on modernity that paints a complex portrait of a one-of-a-kind artist. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton’s breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs. In Camera Man, film critic Dana Stevens pulls the lens out from Keaton’s life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. Over the course of his action-packed seventy years on earth, his life trajectory intersected with those of such influential figures as the escape artist Harry Houdini, the pioneering Black stage comedian Bert Williams, the television legend Lucille Ball, and literary innovators like F. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, including Sherlock Jr., The General, and The Cameraman.Įven through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keaton’s life had a way of reflecting the changes going on in the world around him. In this genre-defying work of cultural history, the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keaton’s unique creative genius in the context of his time.īorn the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville.
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